Showing posts with label The Confession of Piers Gaveston. Show all posts
Showing posts with label The Confession of Piers Gaveston. Show all posts

Saturday, April 30, 2011

Deep Discount On "The Confession of Piers Gaveston" by Brandy Purdy

Now you can download the ebook of Brandy Purdy's provocative and controversial yet loving portrait of the infamous lover of King Edward II of England.
"One of the best uses of first person narrative I have seen."  Nan Hawthorne
Just visit Smashwords and, when you go to checkout, enter the code for a 50% discount off the "cover" price.

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Coupon is good through May 31, 2011.

See the book trailer at http://youtu.be/ynh8eMa-KYM

THE TRUTH BEHIND THE CONFESSION OF PIERS GAVESTON

From the author's web site, http://www.brandypurdy.com

To those who know his name, Piers Gaveston is the dark power lurking behind the throne of the weak-willed and pliant king, Edward II, whispering in his ear, goading him on to further extravagance, an arrogant, avaricious Gascon, a commoner raised to glory, too high and too fast, like "a night-growing mushroom," a parasite feasting, like a leech, on the royal treasury. To others of a more romantic bent, he is one half of a pair of star-crossed lovers centuries ahead of their time, born into a world where homosexual love was a crime punishable by castration or burning at the stake. To yet others, Edward II and Piers Gaveston were devoted friends, who symbolically swore an oath of blood-brotherhood that has, from their own lifetime to the current day, been misunderstood and slandered with the base charge of sodomy. So what is the correct answer, who was Piers Gaveston really, and what was the true nature of his relationship with Edward II? To put it bluntly, we don’t know. The answers to those questions are lost in the mists of time.

Here is what we do know:

Piers Gaveston was presumably close to Edward II in age; therefore, he must have been born around 1284. We know his father was Sir Arnaud de Gaveston, a prosperous Gascon knight who served Edward I faithfully and even offered himself as a hostage on the King's behalf on more than one occasion. Thus, Piers was not the lowborn commoner of popular imagination. His mother was also well-born, Claremunda of Marcia or Marsan, spellings vary. Legend has it that she died a condemned witch, burned at the stake, a scenario too intriguing for many novelists, myself included, to resist. Whether factual or fantasy, the story was widely circulated, and an aura of witchcraft has always enshrouded Piers Gaveston. To quote one of the medieval chroniclers: "The King loved an evil male sorcerer more than he did his wife."

Piers Gaveston first appears on the pages of history when he joined the army of King Edward I in 1297. He made such a good impression upon the King that he was chosen to become a companion of the heir to the throne, Prince Edward (later King Edward II). Gaveston was handsome and vivacious, as proud as a peacock, and as splendid as one when it came to matters of dress. But he was much more than just a pretty boy, he was intelligent and skilled in the arts of war, and, when given the opportunity, displayed an admirable knowledge of military tactics. He had a quick and wicked wit, which he either could not or would not curtail, especially when it came to mocking those who considered themselves his betters. He assigned nicknames to the most powerful men in the land and apparently struck a nerve; it was an insult they would never forgive or forget.

In 1300 Gaveston joined Prince Edward's household. Of that first meeting, we know only this, from a medieval chronicler: "When the King's son saw him, he fell so much in love that he entered upon an enduring compact with him, and chose and determined to knit an indissoluble bond with him, before all other mortals."

But apparently in choosing Gaveston to be the Prince’s companion, the King got more than he bargained for. He soon became alarmed by the closeness that had developed between the two, and Gaveston was sent away, to France, with a pension from the King and a ship full of gifts from the Prince. But their separation was short-lived. When the old King died in 1307, the new King's first act was to recall his beloved “Perrot.” As one chronicler put it: "And so he had home his love, Piers Gaveston, and did him great reverence, and worshipped and made him great and rich. Of this doing fell villainy to the lover, evil speech and backbiting to the love, slander to the people, harm and damage to the realm."

Before he even set foot back on English soil, Gaveston was made Earl of Cornwall, an unprecedented and highly lucrative honor for one not of royal blood, and was betrothed to Edward's niece, Margaret de Clare. Whether Gaveston had any prior knowledge of these and the other honors about to be heaped on him we do not know.

Soon Gaveston was seen to have a stranglehold on royal patronage as a seemingly endless flow of titles, sinecures, jewels, manors, and all manner of costly gifts, were showered on him. The established nobility, with Gaveston's chief enemies the Earls of Lancaster, Warwick, Pembroke, and Lincoln, at the helm, greatly resented this but “the more virulently people attacked Gaveston, the more keenly the King loved him.” Gaveston's personality did nothing to salve the situation, as he paraded an insufferable pride and poked fun at his enemies.

When Edward crossed the channel to marry Princess Isabelle of France, he further enraged the nobility by leaving Gaveston to rule as regent, when the honor should have gone to a man of greater years and experience. And when the royal bride and groom returned, as soon as the ship docked, Edward ran down the gangplank and flung himself into Gaveston's arms, and then proceeded to forget all about his bride, he even gave her wedding jewels to Gaveston. At Edward's coronation that followed shortly afterwards, Gaveston appeared in royal purple encrusted with pearls instead of cloth-of-gold as befitted an earl. And at the banquet that followed, Edward had eyes and ears only for Gaveston. Soon Isabelle was writing home to her father that her husband was a stranger to their marriage bed, and for this she blamed Piers Gaveston.

Pressure was brought to bear on Edward, and Gaveston was banished, but not in disgrace. He was sent to Ireland as Lord Lieutenant or Governor, where he more than amply demonstrated his intellect and prowess as a military commander. But Edward was "lovesick for his minion" to quote the famous play by Christopher Marlowe, from which this story is probably best known, and soon Gaveston was back in England. Things went on much the same as always.

Eventually, the earls joined forces as the Lords Ordainers and sought to reform the land and, with such reforms, diminish Edward's power as king. After a campaign in Scotland failed, Gaveston was again banished, this time perpetually from the realm. But he did not stay away for long, he soon returned to England, some historians think to be present for the birth of his first and only legitimate child, Joan, born in 1312. (Controversy surrounds a possible bastard daughter known as Amy Gaveston.) This was, to use a more modern phrase, the straw that broke the camel's back, and soon the earls were amassing an army and civil war was a serious threat. Edward and Gaveston fled to Newcastle, and afterwards to Scarborough Castle, where Edward left Gaveston to go and try to raise an army of his own.

On May 19, 1312 Gaveston surrendered his person into the custody of the Earl of Pembroke, who, being the most honorable and less self-interested of Edward's nobles, swore an oath on all his lands, titles, and goods, that no harm would come to Gaveston while in his keeping. But Pembroke was not infallible. In the mistaken belief that Gaveston would be safe there, he decided to leave him at the rectory in the little village of Deddington while he went on to nearby Bampton to spend the night with his wife, who was in residence there. One night was all Warwick and Lancaster needed. They swept in, taking everyone unawares, and Gaveston, barefooted and wearing only his shirt, was forced to walk in chains and humiliation, to Warwick Castle, where he was thrown into the dungeon.

After a brief trial, where the verdict was a bygone conclusion, Gaveston was taken in the wee hours of June 19, 1312 to the top of Blacklow Hill where he was first stabbed in the heart and then beheaded. So ended the life, but not the legend, of Piers Gaveston.

But what of Piers Gaveston the human being? All the chroniclers speak of Edward's "mad folly" and "immoderate love" for him, but on the subject of Gaveston's own feelings they are conspicuously silent. Nor do any letters or diaries exist to enlighten us. Not one scrap of evidence exists to tell us what the royal favorite thought or felt for his king and benefactor and the position of power he occupied. A biography of Piers Gaveston reads more like an outline of historical events and an inventory of honors and gifts than a warts and all biography. We don't even know what he looked like—beyond that he was considered handsome—the color of his eyes, or whether he was tall or short, dark or fair.

As a novelist, some have taken issue with the way I have chosen to portray Piers Gaveston, his background, and relationship with Edward II. I have been accused of writing a historically inaccurate book and criticized for telling a story that goes against the grain of popular belief. It was my intention to try to show that, as Gaveston says in my novel, "there are two sides to every coin," and it is possible to interpret the "facts" in a different way, especially when there are great gaps in our existing knowledge and the unknowns far outnumber the knowns.

Another goal I hoped to achieve with my portrayal of Gaveston was to create an unreliable narrator, one who would make readers wonder how much of his version of the truth is actually true. Whenever someone sits down to write their autobiography they want to show themselves in the best possible light, sometimes they even lie outright or twist and tweak the truth, or leave out pertinent details. They may even contribute to their own legend. And when looking back on failed relationships it is sometimes hard to keep the anger and bitterness at bay. In the pages of my novel, Edward II does not emerge as a very likeable, much less lovable man, some have even called him caricaturish or stereotypical, but one must remember that Gaveston is writing his account of their relationship from the threshold of death; he is remembering a man whose love has helped make him notorious and "the most hated man in England." Under the circumstances, I think it is understandable if their affair doesn't emerge as one of the great romances of history. Had my novel been written from Edward II's viewpoint, it would have been a different story.

But, in the end, it is for readers to decide whether they like my book, and if I have accomplished what I set out to do.

* Purchase a print copy of The Confession of Piers Gaveston by Brandy Purdy.

Sunday, July 19, 2009

American Radio Theater Production of The Confession of Piers Gaveston July 29

The American Radio Theater has produced a play by Brandy Purdy based on her controversial novel, The Confession of Piers Gaveston which will be aired for the first time online on 29 July. Following the production Purdy will take comments and questions. The performance will take place Wednesday July 29 at 9:00 PM Eastern/8:00 PM Central/6:00 PM Pacific at the Accessible World Auditorium.

The Play

The play begins as Gaveston is led in chains to his imprisonm ent, taunted by peasants and villagers along the way. In a unique tweo boice narration, he tells how he came to the point of execution. Script by Brandy PUrdy. Prosucer/director Joy Jackson. Cast: Greg Porter as Piers Gaveston, Pat McNally as Gaveston's alter ego, Richard Haviland as Edward II, also the Earl of Warwick, Kim Turner as the Narrator, the Earl of Lancaster, the Chamberlain, and the Priest, Diana Haviland as the Fool, Marge Lutton as Princess Mary, Joy Jackson, Melinda Mains, and Liz Roach as Peasants.

You can obtain a copy of the play on CD by contacting JJLjackson@aol.com.

American Radio Theater

The American Radio Theater is a non-profit organization devoted to promoting the creative art and technical craft of audio theater. We are based in Seattle, Washington, but have members across the United States and across the globe. They are looking for twenty minute scripts for use on their hour-long reular broadcasts. You can purchase copies of their performances. Contact Joy Jackson at JJLjackson@aol.com for more information.

AccessibleWorld.org

Accessible World Auditoriumis at

http://conference321.com/masteradmin/room.asp?id=rs5affc3cfa191

This special event requires no password and is free of charge and open to anyone worldwide with an Internet connection, a computer, speakers, and a sound card. Those with microphones can ask questions. To speak, hold down the control key and talk; then let up to listen. Those who do not have a microphone or prefer not to speak can type in the text box on the screen.

If you are a first-time user of the Talking Communities online conferencing software, there is a small, safe software program that you will need to download. A link to the software is available on the entry screen to the Accessible World Auditorium. To ensure sufficient time to download the software, it is a good idea to arrive about fifteen minutes prior to the start time. After the download, click "Enter the Room," type a username, and leave the password blank.

If you plan to participate in the discussion, you should bring a microphone. It is not necessary however as you can particpate by text char or just sit back and enjoy. An archived recording of the hour will be available for download afterwards by contacting Bob Acosta at boacosta@pacbell.net and asking for the link to the downloa of the American Radio Theater special program.

You can contact Brandy Purdy at bkpbooks@yahoo.com. Bisit her web site at http://www.brandypurdy.com for more on the play and her novels.

Tuesday, March 24, 2009

Guest Post: To Believe Or Not To Believe? The Challenge of First Person Narratives, by Brandy Purdy

Guest post by Brandy Purdy, author of The Confession of Piers Gaveston and The Boleyn Wife, to be released in February 2010 by Kensington Books.

Dear Reader, when you pick up a historical novel written in the first person, recounting the life story of a famous figure from the past from their perspective, do you believe the tale they spin? Not, in my opinion, if the author has done their job correctly. A first person novel is like P.T. Barnum's autobiography, you shouldn't just take it with a grain of salt, you should have the entire shaker at your elbow.

We all want to be liked and show ourselves in the most favorable and sympathetic light. In any first person account the person telling the story is centerstage—the star demanding their right to twinkle and shine. And their view of the world and other people may be jaundiced.

For instance, when the two parties in a failed relationship tell their story, more often than not, they will both be the victim, the wronged one, and if they do, perchance, accept blame, it will most likely be sugarcoated. I've sometimes found this is a point readers miss.

In my novel THE CONFESSION OF PIERS GAVESTON I am often criticized for depicting King Edward II as lacking in character, of making him appear shallow, one-dimensional, or caricaturish. This was done by intention, the story is being told by Piers Gaveston as he looks back upon his life and a relationship that he finds, in the end, has brought him nothing but sorrow. It's a bitter view as recounted by a disenchanted and disillusioned man trying to justify his life and whitewash his mistakes and flaws as the end draws nigh. My narrator is an unreliable man, and it is for the reader to decide how much of his story is true or false, black or white, or shades of gray.

As a lifelong lover of historical fiction, I have always felt the hallmark of a good first person novel is that it makes the reader wonder how much is true and how much is biased. To believe or not to believe the storyteller? That is the question.

You can contact Brandy Purdy through her website at www.brandypurdy.com.

Tuesday, December 9, 2008

The Wit and Wisdom of Piers Gaveston

To mark the occasion of a new release and cover of Brandy Purdy's The Confession of Piers Gaveston, we offer some of the wit and wisdom of King Edward II's Gascon "favorite" drawn from the pages of Purdy's novel. Don't be surprised if you find some of these emblazoned on t-shirts some day.

Confess it, my Lord, I rattle you like the glass in a casement when it thunders!

Finding a costly piece of jewelry pinned to one's pillow is far from an unpleasant way to start the day.

Loving me is expensive.

Letting it be known will not make it be believed.

We must all learn to live with our disappointments.

Beauty and Sincerity do not go hand-in-hand and having one is no guarantee of the other.

Though I have always been faithful to Edward in my fashion, like fashion I am hardly ever constant.

And there are people who say I have no head for business!

When innocence is lost it is gone forever, and what takes root in its place isn't always good or pretty.

If you find this position awkward there are others we might try.

Love come sin many guises; Lust is not the only robe it wears.

People generally do take what they are offered.

There was nothing to be gained by lying, so I told the truth.

We always hate the one who has stolen the life we longed for.

When the day came when I must decide between shoes and shame I chose shoes and would again.

My mother told me never to look down on someone unless I meant to help.

My friend the Earl of Richmond accuses me of fancying you. Naturally, I denied it, but only because it's true.

Verily, My Lord, I shall have to don mourning for your dead sense of humor!

I know full well what I have become, but I also know what I could have
been.


It it true, life touches life, and one person can be like a pebble dropped into a pond creating ripples that spread far and wide.

I shall sit here and strive to appear languid and alluring while I pretend to listen.

Knowledge is power and blind faith is rarely rewarded.

It has long been my practice to only tell you lies that you are likely to believe.

Time has taught me that often the prize isn't worth winning.

I do not sleep under the stars unless they are painted on the ceiling or embroidered on the canopy above the bed!

Why if I had a gold coin for every time I have gone down on my knees...Oh, come to think of it, I do!

Trust and Love, they are a Fool's game, and I am glad to be dealt out even if it is by Death.

Did I never tell you how much I long to feel your lance?

I am determined to make a good death since I could not make a good life.